A
Army1987
Charlton Wilbur said:[1] OT, but at least not about C++ or Windows: The biggest lie is that
there are pitch combinations that are objectively consonant and
dissonant. If you limit your study only to European and American
music from AD 1000 to the present, you can see that this is not the
case: consonance and dissonance are elements of style. But you have
to pick a starting place, and if you hedge too much, you don't get
anywhere and the students don't have the grounding to understand it
anyway, and so freshman music theory students are told that some pitch
combinations are objectively consonant and dissonant.
<ot>
It all depends by what you mean by 'objectively': a fifth is
(approximately under 12-TET) a 3:2 ratio, meaning that the fourth
harmonic of C overlaps with the third harmonic of G (counting the
fundamental frequency as the zeroth harmonic and so on).
Instead, the semitone is a 1 : 1.0595 ratio, meaning that if you
play C and C#[1] together you will hear beatings. Obviously,
concluding that a fifth is always 'better' than a semitone is a
non-sequitur.
</ot>
[1] Whoops... I caused it to be no longer a "not-about-Microsoft
OT"...